Lola MontèsOther Max Ophuls
Lola Montès is a beautiful, virtuoso piece of cinema.
Criterion Collection Top 10 list by Jeremy Workman, the entry for Lola Montès.
2019-06-19·criterion.com ↗
Recommendations you can check.
American documentary filmmaker and editor of films about artists, eccentrics and outsiders, among them The World Before Your Feet (2018), Lily Topples the World (2021) and Secret Mall Apartment (2024); he has also cut many of Criterion's trailers.
7 things
Lola MontèsOther Max Ophuls
Lola Montès is a beautiful, virtuoso piece of cinema.
Criterion Collection Top 10 list by Jeremy Workman, the entry for Lola Montès.
2019-06-19·criterion.com ↗
The Thin Blue LineOther Errol Morris
If I had to pick a favorite, it’s his transcendent 1988 classic The Thin Blue Line, which recounts a murder case and then riffs and re-riffs on it like a Bach fugue.
Criterion Collection Top 10 list by Jeremy Workman, the entry for The Thin Blue Line.
2019-06-19·criterion.com ↗
Blast of SilenceOther Allen Baron
Movies like Don Siegel’s The Lineup and Irving Lerner’s Murder by Contract (both of which have popped up on the new Criterion Channel recently!) embody this subgenre, but the high point for me is Allen Baron’s Blast of Silence, which seems to grow in stature every year.
Criterion Collection Top 10 list by Jeremy Workman, the entry for Blast of Silence.
2019-06-19·criterion.com ↗
RevancheOther Götz Spielmann
What I love most about Revanche is this narrative magic trick it pulls.
Criterion Collection Top 10 list by Jeremy Workman, the entry for Revanche.
2019-06-19·criterion.com ↗
MacbethOther Roman Polanski
For me, Roman Polanski’s Macbeth is really the greatest of all Macbeths (and would have to be in the running for best Shakespeare film).
Criterion Collection Top 10 list by Jeremy Workman, the entry for Macbeth.
2019-06-19·criterion.com ↗
KoyaanisqatsiOther Godfrey Reggio
But more importantly, Koyaanisqatsi has had a profound effect on me as a filmmaker and editor.
Criterion Collection Top 10 list by Jeremy Workman, the entry for Koyaanisqatsi.
2019-06-19·criterion.com ↗
Green for DangerOther Sidney Gilliat
But the one from this period that I always recommend to friends is Green for Danger, a delightful British murder mystery that I had never heard of.
Criterion Collection Top 10 list by Jeremy Workman, the entry for Green for Danger.
2019-06-19·criterion.com ↗
Every entry is a verbatim quote and a link to the public post it came from. Nothing is paraphrased. If it is not on record somewhere public, it is not here.
The verdict is what they actually said: loved and liked are explicit; recommended means they told others to get it; uses means they only say they use it; read is a book on their public shelf with no verdict; mixed and disliked are kept too.
A dashed affiliate link, sponsored or their own label means the post disclosed a relationship. It is shown, never hidden.
The shading behind a date shows how dated a recommendation is for its kind of thing.
The shading behind a date shows how dated a recommendation is, for its kind of thing. Fully green is recent. It drains a quarter at a time as the post gets older, and is empty once it reads as dated.
What counts as old depends on the thing. A laptop praised four years ago has been replaced twice; a book loved twenty years ago is probably still loved. The shading is gone after about:
Stripes mean the post carries no date and the date shown is an estimate. No date at all, no shading.