An Unmarried Woman was the first Criterion film I ever purchased. Lena Dunham suggested I watch it before making my first film, and it has stuck with me intensely ever since and become my comfort movie.
Criterion Collection Top 10 list by Tommy Dorfman, the entry for An Unmarried Woman.
I first watched Grey Gardens in high school because of my mom and grandmother—which really tells you all you need to know about me. It was a movie they’d put on in the living room, and I fell in love with these women and their style and freedom of expression.
Criterion Collection Top 10 list by Tommy Dorfman, the entry for Grey Gardens.
I saw Pina around the same time I saw Weekend, and it also felt like something I’d never seen on-screen before. Usually, you think of 3D movies in relation to Avatar or Marvel, so to have this technique optimized for dance and theater was breathtaking.
Criterion Collection Top 10 list by Tommy Dorfman, the entry for Pina.
The Breakfast Club stands out for its simplicity and really shows how much you can accomplish when setting a movie in just one location. It’s Hughes at his finest, with an amazing ensemble cast and real, grounded performances.
Criterion Collection Top 10 list by Tommy Dorfman, the entry for The Breakfast Club.
Working Girls is so much more honest than any of the media I saw about sex work growing up, and I think that stems from the emotional expansiveness that Lizzie Borden has as a director.
Criterion Collection Top 10 list by Tommy Dorfman, the entry for Working Girls.
Polyester takes a jackhammer to the fallacy of the American dream and the dysfunction of the nuclear family, eviscerating these tropes in a way that is so brave and funny and dark.
Criterion Collection Top 10 list by Tommy Dorfman, the entry for Polyester.
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